Emeralds
Since the time of Cleopatra and continuing
today, emeralds have set the standard for the
ultimate color in green gemstones. It would be
easy to question this statement if all one had
seen of emeralds were the commercial (and
poorer) quality stones which abound on home
shopping networks and in some jewelry stores. A
fine emerald, though, is a truly breathtaking
sight and is well deserving of its placement in
the traditional "big four" gemstones along with
sapphire, ruby and diamond. Emerald is the
birthstone for May and for commemorating the
20th and 35th wedding anniversaries.
The center of world emerald mining is in
South America
with Colombia and Brazil as major producers.
Although the African mines that supplied
Cleopatra's passion have long since been played
out, the African continent is today, second only
to South America in production with mines in
Zambia, Zimbabwe, Madagascar and Nigeria. Each
of these world locales typically produces a
certain color, size and clarity -- so much so
that the term "Colombian" emerald has often been
enthusiastically used to describe vivid,
slightly bluish green stones of medium to medium
dark color, no matter what their actual
geographic origin. Likewise, emeralds of lighter
color are sometimes called "Brazilian", even if
they were mined in Africa. (On the ACS site
www.acstones.com no such usage will be
made, and such terms will be used in their
strict geographical sense.) The
USA
and Japan together purchase more than 75% of the
world's cut emeralds.
Emerald, by definition, is a medium or darker
green to bluish green beryl, in which the green
color is derived from impurities of chromium or
vanadium or a combination of both. Before 1963
the definition was limited to chromium
containing stones, but the discovery of a large
deposit of vanadium colored stones in Brazil led
to modification. Varying amounts of iron will
affect the color as well, with more atoms of
this impurity increasing the bluish tones. In a
situation similar to that which exists with the
boundary between pink sapphire and ruby, there
are chromium colored stones of light to medium
light green color which are sometimes sold as
emerald, but which are more correctly considered
green beryl. Geological conditions were right,
it seems, in Colombia to produce exactly the
slightly bluish green shade and strong
saturation that make stones from that locale the
epitome of the variety.
Emeralds are considered a "Type III" gemstone by
GIA which means that they are virtually always
included to one degree or another. Because of
this designation, a clarity grade of "very
slightly included" for example, refers to the
normal range for emeralds, not for all
gemstones. Well over 90% of the emeralds in
commerce have been treated to minimize the
appearance of the inclusions. The industry
practice for treatment (and that which is
considered "standard" by AGTA) is "oiling". This
term refers to the practice of immersing
emeralds, rough and/or cut, in a colorless oil
or resin of natural or man-made origin. Often
this is done using a vacuum chamber to assist
penetration. Non-standard treatments go beyond
this to using green colored oils and hardened
(epoxy-like) resins. (Only emeralds treated by
standard methods are sold on the ACS site).
These treatments dramatically improve the
appearance of the gems, but necessitate special
care in cleaning and setting. Steam cleaners,
solvents and ultrasonics can remove the oils,
making inclusions, which had barely been visible
before cleaning, stand out in sharp relief.
Luckily, it is possible to have emeralds
re-oiled.
The inevitable inclusions are more than a
strictly aesthetic consideration as they can
reduce the structural integrity of the gem.
Beryls, in general, are good jewelry stones,
with a hardness of up to 8 and no troublesome
cleavages. Emeralds, though, because of the
inclusions are generally somewhat more fragile
than other beryls and must be treated more
gently.
Emerald imitations often encountered in the
marketplace include: glass, YAG, synthetic
spinel triplets, green cubic zirconia and beryl
triplets. Within the last fifty years two major
processes have been developed to produce "lab
created" emeralds, or synthetics. If you've seen
and priced man-made emeralds you might have
wondered why they are so costly compared to cz's
or some types of synthetic sapphires. Both the
flux and the hydrothermal methods of production
require costly equipment, are energy intensive,
take a long time and have a low yield of
cuttable gems. Some of the first lab created
emeralds on the market weren't convincing
because they were so clean, but the
sophistication of today's consumer has led to a
trend toward more naturally included looking
synthetics. Although this improves their
acceptability, it does make it a little more
difficult for gemologists and appraisers to
prove natural origin. Luckily, in the majority
of cases, there are signs, particularly in
regards to the types of inclusions in a gem,
which can conclusively verify natural versus
synthetic origin.
Value Considerations
Like many stones, the per carat price of fine
quality emerald escalates rapidly with size as
large, well colored specimens are exceedingly
rare. For example, a recent price guide lists a
fine quality 3 ct. Colombian stone as six times
more valuable than three equivalent quality 1
ct. stones. Value factors hinge largely on color
with nuances of saturation and hue affecting
price to a strong degree.
The most desirable color is a slightly bluish
green in a medium dark tone with strong to vivid
saturation. Clarity is important, but inclusions
are tolerated more in this variety than
virtually any other. Top quality unenhanced
stones (with certification) can bring as much as
50% more in price than treated stones of the
same size, color and clarity. Emerald is not
rare as a gem, (you need only watch home
shopping channels to verify this) but gem
quality emeralds of moderate to large size are
definitely rare. An untreated, fine emerald of
over 5 ct. brought an auction price more than
twice the amount per carat of a top white,
internally flawless diamond of the same size
recently. Given the wide range of quality seen
in the market it is little surprise that prices
can range from $10/ct to many thousands of
dollars per carat.
Gemological Properties
Chemical Composition: Beryllium Aluminum
Silicate
Crystal System: Hexagonal
RI: 1.57 - 1.58
Density: 2.71
DR: .006
Pleochroism: Dichroic: blue green/yellow green
Dispersion: .014
Cleavage: unimportant
Luster: Vitreous
Hardness: 7.5 - 8
Toughness: Poor to Good
Citrine
Citrine, yellow to red-orange quartz,
was once the Rodney Dangerfield of the gem
world. Its sheer abundance being responsible for
this "no respect" treatment. That has begun to
turn around somewhat in the last couple of
decades as fashions have repeatedly emphasized
Earth tones and home shopping networks have
marketed the various shades of citrine
aggressively with catchy adjectives like
"butterscotch" and "whiskey" .
Actually, very little of the
quartz which is mined is citrine. Natural stones
tend
to be pale yellow, often with smoky tones. The
vast majority of citrine which is marketed is
produced by heating smoky quartz (produces light
to medium yellows) and amethyst (produces
stronger yellows and orange-red to orangey brown
shades). The treatment is usually done right at
the mine, and is stable, and fully accepted
within the gem trade.
Recently colorless, rock
crystal quartz from certain mines has been
irradiated and heated to produce a neon,
slightly greenish yellow, usually called Lemon
Quartz. In the past, it was commonplace for
citrine to be given misnomers such as,
"Brazilian topaz", or "Madeira" topaz, etc. The
higher gemological knowledge level of both
jewelers and the public make this practice rare
today.
This gem is a fine jewelry
stone, with no cleavage and a hardness of 7,
furthermore, its availability in large sizes
enables cutters to use it for dramatic and
intricate custom cuts. It is also used for gem
carvings. Stable in light and not very sensitive
to chemicals, this stone requires no special
care and can be used for any jewelry
application. Virtually all citrine comes from
Brazil.
Value
At the top end of the
scale are prime specimens of the most saturated
yellows, oranges and reddish tones. Those with
less intense color fall into lower value ranges
with pale or smoky stones at the bottom . As
with any gem material custom cutting increases
value and inclusions decrease it. There is no
exponential increase in value per carat with
increase in size as larger sizes are readily
available. In many fancy cut or carved specimens
the majority of the value is due to the artistry
of the fashioning.
Gemological Data
Makeup: silicon dioxide
Luster: vitreous
Hardness: 7
Crystal structure: trigonal
Cleavage: none
Density: 2.65
RI: 1.54
Birefringence: .009
Dispersion: .013
Copyright
2007 by Barbara Smigel. All rights
reserved.
www.acstones.com